Lessons in Knowledge Sharing: My First Professional Presentation
As the FAO Schwarz Fellow within the Frederick A. O. Schwarz Education Center at the Museum of the City of New York (MCNY), my special project work focuses on improving accessibility at MCNY for visitors of all abilities and backgrounds. Within this aspect of my role, I am responsible for conceptualizing and developing learning supports for guests who have disabilities and their caretakers. My role was especially designed to support the Schwarz Center in responding to a growing, data-driven need to improve their access initiatives for K-12 learners who visit the Museum through field trips and other educational programs. Given the level of responsibility and my being the only staff member at the Museum whose role is explicitly focused on accessibility, the work of learning about and implementing best practices has felt overwhelming at times, especially given that I came into this role directly out of undergrad with no formal training. However, I have a strong passion for making art, history, and education accessible to all which pushes me forward in spite of this anxiety.
I encourage anyone who is sharing their work with others to find confidence in the fact that you are the expert in your research.
When I started my fellowship in August 2024, my supervisor, Sydney, developed a list of stakeholders from other cultural institutions in New York City that I could connect with to learn from them about their access initiatives in one-to-one interviews. From August to February 2025, I conducted eight interviews with ten different stakeholders at museums, libraries, and botanic gardens, asking them questions about their organizationโs access programs, the challenges theyโve faced, and any advice they have for their fellow access workers. These meetings culminated in a written report and presentation that detailed both the findings of my conversations as well as my own recommendations for the next steps MCNY could take. Here are three lessons I learned throughout this process:
1. Your work does not have to be done, and should not be done, in isolation.
Going into my first few interviews, I was hyperaware of my inexperience and was simultaneously frightened and excited by all that I still had to learn. This mix of emotions resulted in a lot of nervous energy at the prospect of the people I interviewed thinking poorly of me. Beginning with the contacts Sydney provided me with, I scheduled interviews with stakeholders at institutions such as New York Botanical Garden and the Whitney Museum of American Art and quickly realized that my anxiety was unfounded. The people I was meeting with were entirely interested in sharing lessons they had learned from their own work as well as resources they found useful with the aim of helping me build my own skillset. Additionally, nearly every interview ended with an exchange of contact information in which I was given the name and email of another access worker to reach out to. This allowed me to develop my own network of contacts not only for my interviews, but also to message should I have any questions as I dug further into my special project work.ย
Throughout these interviews, people expressed their excitement for me and my journey. It became obvious that there was an entire community I was being welcomed into, one in which I was encouraged to learn from people who had once been in the same position as me.ย
One moment that was especially grounding for me was when Francesca Rosenberg, the Director of Community, Access, and School Programs at the Museum of Modern Art (MoMA), explained that she joined MoMAโs team in a temporary position, becoming the only person on staff whose role was dedicated to accessibility. Nearly 30 years later, she not only holds a senior position at MoMA, but her work has made a lasting impact on her institution and museums across the city. Although I had not realized it previously, I desperately needed a reminder that senior leaders in this field started their careers in a fashion like mine. In my experience, it is easy to be intimidated by titles and accomplishments and feel the need to shy away from reaching out to people. However, as I heard from multiple interviewees, while the effort to improve museum access can be isolated, it does not have to be. Even though we each work at different institutions, the work we do does not exist in a vacuum. By sharing knowledge and uplifting one another in our journeys, we will all get closer to achieving our goals in creating a museum world that is accessible to everyone.ย
2. Practice Goes a Long Way
Like most college students, I spent my years in undergrad giving a surplus of presentations for classes and conferences. However, when Sydney asked that I compile the findings of my interviews in a presentation that would be shared with upper management in my department, I froze. Suddenly, all my knowledge of how to share information in a compelling way left my mind. While many of the same skills you utilize in school presentations are transferable, presenting for your managers is more high stakes; instead of working towards a good grade, you are working for credibility and the ability to move forward with proposed projects. Additionally, coming from an art history background, I did not have much experience working with, analyzing, or summarizing data, both quantitatively and qualitatively.
After discussing these concerns with my supervisor, she responded by organizing practice sessions for me to present my research and findings to her, and she provided feedback. Sydneyโs recommendations were immensely beneficial and contributed greatly to the success I found when it came time for the actual presentation. Despite these helpful sessions, I still felt nervous. Thus, I feel it is important to acknowledge that presenting your work always requires a certain level of vulnerability and can often bring up challenging emotions. But there are ways to combat these feelings and ensure that professional presentations are not scary. This leads me to the last of the three main lessons I learned.
3. You Know What Youโre Talking About!
The experience of working on this project, both in conducting interviews and creating and presenting my report to my departmentโs management, was an exercise in confidence building. With this being my first major report and presentation to my colleagues, I was unsure what to expect. However, after reflecting on both the work I had put into my report and the conversations I had with different stakeholders, I began to feel more confident in what I was presenting. I was able to realize that not only had I further developed my working knowledge of accessibility in museums, but I had also begun to trust in my ability to effectively communicate the work I was doing to new audiences.ย
I was finally able to admit to myself that I knew what I was talking about!ย
With this new mentality, I also felt secure enough to speak with authority about my research methods, findings, and recommendations. During the discussion section of my presentation, I did not falter when asked questions about my rationale but instead replied with assuredness. Thus, I encourage anyone who is sharing their work with others to find confidence in the fact that you are the expert in your research. Donโt forget that your presence in that meeting room affirms your knowledge and abilities.
Alex Gabriel
Alex (they/he) is the FAO Schwarz Fellow at the Museum of the City of New York in New York City.
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