Collective Creativity: Confronting the Problem of Collisions Head On
New York City is a captivating sight both day and night for its ceaseless bright and bustling energy, but the allure of artificial light at night has unintended consequences for migratory birds. The beaming lights that define the City’s nightscape disrupt wild birds’ crucial, ancient journeys and can create a sudden end in the form of collision with glass.
As part of my Fellowship with NYC Audubon, I also manage the environmental center on Governors Island, including the Artist in Residence Program. One of the great joys of my job is supporting artists in their work to educate the public...
Artificial Light at Night (ALAN) affects the millions of birds that pass through New York City during their migration every single year. Birds rely on natural light cues for their migration, navigation, communication, and reproduction. Light pollution can disrupt these behaviors, drawing them into cities like New York and confusing them, making them more susceptible to deadly collisions with windows.
Though the majority of collisions with buildings take place in the daylight, the birds are drawn to these unsafe environments by night-time lights. When dawn comes and hungry birds look to refuel for their long journey ahead, they encounter a disorienting, urban landscape full of glass. Many collide seeking refuge or escape.
Given New York City’s great size and number of artificially lit buildings, achieving an impactful level of consistent, voluntary participation in “lights out” efforts by New York City buildings has proved challenging. In other words, kindly requesting each one of the City’s million buildings to turn off unnecessary nighttime lighting during peak migration is an impossible task. Therefore, NYC Audubon’s advocacy efforts focus on the creation, passage, and enforcement of legislation that would require a reduction in artificial night-time lighting during spring and fall migration. Such laws would save the lives of countless birds and greatly reduce city-wide energy consumption. Working in partnership with the Lights Out Coalition, NYC Audubon is currently advocating for legislation that will require all City buildings to dim unessential nighttime lighting during migration, extending previous legislation that applied to City owned and operated buildings.
My special project as an FAO Schwarz Fellow is to take an active role in NYC Audubon’s Lights Out advocacy. This effort has been slowly gaining traction over the past year, but things have taken off in the last few months with the introduction of Int. 1039 in New York City Council. Leading up to the introduction of legislation, I worked with the Lights Out Coalition to organize a rally at City Hall and bring in a crowd of supporters, drafted a fact sheet with press talking points, and created a webpage and email about the new bill.
But local legislative advocacy is only one avenue for action. I believe that reducing collisions with glass requires a collective commitment to creative solutions for wild birds. As part of my Fellowship with NYC Audubon, I also manage the organization’s seasonal environmental center on Governors Island, including the Artist in Residence Program and gallery space. One of the great joys of my job is supporting artists in their work to educate the public about the trials and triumphs of birds in New York City, as well as inspire action to protect our winged neighbors.
Recently, I have had the honor of curating Of Ash and Air, a solo show of Leslie Ruckman and Gal Nissim’s work that explores a new mythology, guided by the long history and symbolism of human-bird relationships. Ruckman and Nissim’s artworks serve as powerful visual narratives, inviting viewers to reconsider their relationship with the avian inhabitants of the City. Featured in Of Ash and Air are glass sculptures of songbirds cast from real, NYC collision victims collected by NYC Audubon’s dedicated volunteers. These solemn but compelling pieces prompt viewers to tangibly confront the second-greatest direct cause of bird mortality in the United States: collisions with glass. Reincarnated in the material that killed them, the sculptures honor the birds in their death, aiming to bring awareness to a seemingly invisible problem.
In another part of the installation, animated murals illustrated on the UV spectrum– which birds can see but humans cannot – depict the entanglements of human and bird cultures throughout time. Through these murals, Leslie and Gal also propose an intentional solution to the unintentional problem of glass collisions, blurring the illusory boundary manufactured in urban environments.
Of Ash and Air stands as a testament to the transformative power of art, encouraging us to reconsider our relationship with other-than-human species and imagine a future where birds and people coexist in harmony. Art reminds us that we have the power to shape our future. However we may reach that future, I hope it is one where urban landscapes are not hostile to migratory birds but rather spaces where the beauty of avian and human creativity intertwine.
Jesse McLaughlin
Jesse McLaughlin (he/him) is the Advocacy & Engagement Associate FAO Schwarz Fellow at NYC Audubon in New York City.
SHARE THIS STORY
Feature images in blog gallery by Gal Nissim and Leslie Ruckman, courtesy of NYC Audubon.